I would like to think that no one would die anymore
if we all believed in daisies
The fury of Flowers and Worms
Inspired by Anne Sexton and Heather Lewis both writers and incest survivors who died by suicide



emulsion paint and paper on glass 20cm x 10cm 2021
51 Anne Sexton and Heather Lewis suicide is after all the opposite of the poem
FLOWERS FOR ANNE desert moon flower cures poison
I have become a vase you can pick up and drop at will
Inanimate at last
The matrix
Annie died the other day never was there such a lay for amongst the dolls dad had
Anyone lived in a pretty how town with up so floating many bells down e e cummins
When what pursues is internal there is no escape
inner and outer forces constraining and the more expansive creative is dangerous
and the green voices urging her to die
freed by creative gift and compulsively controlled by it
women’s problems are not sexual but of identity
the great theme we all share is becoming ourselves of overcoming our mother and father
of assuming identities somehow
she accuses father of taking the you out of the me
In one poem she considers the distaste for looking
For John who begs me not to enquire further
died from Carbon monoxide poisoning wearing her Mother’s fur coat
FLOWERS FOR HEATHER MARIGOLDS (calms fretfull horses) DANDELIONS COW PARSLEY CLOVER
HEATHER LEWIS published three novels her last NOTICE posthumously.
Like Edward Hopper, Samuel Beckett, Ad Reinhardt, Camus, like early Raymond Carver or Patti Smith or all of Patricia Highsmith, from the start Heather Lewis’s truest subject was the void. Made to fall herself so early, she made The Fall her subject. Notice is the plainest statement of the greatest pain imaginable. It is notable for the loving polish of its Keaton-like deadpan, and for the hellish depth with which it understands all that one human being can inflict on the rest of us. Why? Because he can. It is a suicide note of genius
Died at 41 from Oxycontin overdose.

NOTICE
ONE
For the longest time I didn ‘t call it turning tricks. When I’d leave work cross the street
to the train station and, if some guy man I guess you’d really call him – had come off the train was on his way home I’d take his money.
did I notice the automation of awaking reaching and playing
it doesn’t matter a middle aged woman is arguing with her husband
and then she comes across polythene bags containing dead girl’s belongings
they sit in silence she rocks he stares at television
We’ll do it in his car. I’d work maybe twenty minutes. Get maybe twenty dollars
the Second Suspect
Afterwards Ingrid drew the girl a bath. She put oil in it, she’s brought from home because after all these years she could still convince herself that her husband brought her to beautiful hotels for normal reasons.
House Rules
I guess you’d say it started when I got kicked out of school.
It’s not like I did anything especially wrong.
In her first novel we feel the exquisite vulnerability of an adolescent girl struggling to find a safe place for herself. A M Homes